Marble Bust Of A Man Analysis

Roman analysis the portrait above is a roman sculpture terracotta a sculpture made in earthenware representing the bust of a man.

Marble bust of a man analysis.

Sculptor francis harwood chose a black stone to reproduce the sitter s skin tone. Our large selection of sculptures includes a variety from anonymous to most famous marble busts for sale. Made of best quality carrara cast our white marble antique replica busts are highly admired by art collectors and movie studios. Marble bust of a man mid 1st century a d.

Harwood also chose an unusual antique format for the bust terminating it in a wide arc below the man s pectoral muscles. The art is reputed to have been a study of a marble or bronze bust. Harwood was familiar with antique sculptures from time. Mounted on a later carrara marble base.

Roman julio claudian period mid first century a d. The expanse of chest and the full fleshy. Marble bust of a man roman julio claudian period mid 1st century ad accession 12 233 although the surface of this piece has been strongly cleaned and even recut in places evidence of a heavy dark incrustation formed during centuries of burial is still visible especially at the back. On view at the met fifth avenue in gallery 162.

Looking to buy an incredibly detailed marble bust from a renown seller. Rare late roman empire 3rd to 5th centuries c e solid marble bust of a young man. With noble bearing this man proudly holds his chin high above his powerful chest. From ferries to architecture to portraits and beachfront promenades the history archives has over 60 000 images available for reproduction.

Download this stock image. E1ggmp from alamy s library of millions of high resolution stock photos illustrations and vectors. Category 15th century and earlier italian antique marble busts. Roman empire marble bust.

Marble bust of a man. The man s close cropped hair furrowed brow the bags under his eyes and his sagging cheeks convey a sense of austerity and a sort of warts and all realism. Such roman portraits were intended to embody societal values such as gravitas dedication to civic duty and virtus excellence of character rather than reproduce an individual s.